Photographs and narratives by ROBERT LEUTHEUSER from and of his travels through Kurdistan and the greater Middle East. Published in conjunction with his photographic website www.beyondbordersphotography.com.

All images and text are protected by copyright law. Please contact Robert Leutheuser at robleutheuser@gmail.com for any and all uses. Thank you.

07 April 2019

Masara Zetun - The Making of Olive Oil at Lalish Temple


Masara zetun is the annual making of olive oil at the Yezidi holy temple of Lalish.  The oil, made exclusively from olives harvested at Lalish, is used for the soaking of cotton wicks which are lit at Lalish's nishanga, holy sites of which there are many; as well during special ceremonies. The laborious work of making the oil, pressed by bare feet, lasts for as many days as necessary to use all of the olives stored over the winter. The process is exact, preserving the holiness of the oil at every step. Hundreds of Yezidis participate at least for the first day.

Yesterday I was fortunate to be able to visit that first day of masara zetun, where as always the Yezidi joy and camaraderie was infectious. Below are photos that follow the process.

I thank the Yezidi community for welcoming me.

You are also invited to visit companion sites www.beyondbordersphotography.com and worldpeeks.blogspot.com


All photographs are protected by copyright law. Permission from the photographer is needed.  Requests for use should be sent to robleutheuser@gmail.com.


Taking the olives harvested last year out of storage
Washing

Cleaning washed olives

 Carrying cleaned olives to the bagging area

Sewing closed the burlap bags of cleaned olives

Pressing the bagged olives with heated water from 
Kania Spi (White Spring)
Skimming separated olive oil out of collection pool

Pouring oil into fire-heated cauldron to boil off last water

Ladling olive oil into cans to be carried to temple

Carrying finished olive oil to the temple of Sheikh Adi
(photo from another photographer)

Placing olive oil-soaked wicks in nishanga

01 April 2019

Safara Qola (The Collection of Wood) at Lalish Temple

For 3 days this past week I once again visited Lalish, the Yezidian holy temple in Iraqi Kurdistan, this time to witness their annual ceremony of Safara Qola - the collection of wood.  Although the event is heavily steeped in ritual, the work is real.  A small army of bare-footed men, and a few women, scrambled up the nearby steep hillside to gather cut logs, load them on their backs with heavy woolen straps, and carry them to Lalish Temple for cooking during the upcoming year.

The cold and rain did not dampen the devotion of the faithful, nor did the recent and enduring ISIS-spawned tragedies.

More images will follow on my website, www.beyondbordersphotography.com

I extend my deep appreciation to Amer Seido, a longtime true friend, who continues to welcome me in his home, and who made this visit possible.

(All photographs are protected under copyright law and cannot be re-posted or used in any way without expressed permission of the photographer.  Please email me at robleutheuser@gmail.com to submit your request.  Thank you.)

















16 April 2017

Yet Another Return to Sinjar, April 2017 - Part 1


Background. On August 3, 2014, the Islamic State (Daesh) attacked the isolated and defenseless Yezidi population in the Sinjar region of northern Iraq. Fueled by souless depravity thinly guised by Islam, they killed, kidnapped, and destroyed, making refugees of hundreds of thousands of Yezidis. Several thousand of the kidnapped remain in the hands of Daesh, and thousands more in the Iraqi city of Mosul are still under its control. Daesh was militarily defeated first on the north side of Sinjar Mountain, and in late-2015 Sinjar City and a swath of territory at the foot of the south side of the mountain was recaptured after fierce fighting. As of the spring of 2017, only a very very few refugees have returned to the Sinjar.

This is the first part of three.  The others continue below.  For more photographs and writings about the Yezidis in the Sinjar, visit the 2012 and 2015 postings in this blog.  A 5-minute slideshow entitled "What Was Lost in the Sinjar" can be seen by clicking on its link. And finally, you are invited to visit Beyond Borders Photography for a more expansive collection of photographs of the Yezidis.

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The early evening light was soft as Gharbi and I walked the abandoned lane to his house in Zorava. 


The last time I was here 3 years ago it was alive. We rounded the corner and arrived at Gharbi's house, since defiled by Daesh (ISIS) in 2014. A rare neighbor grazed a small flock of sheep in what used to be the garden, sharply yelling at the dog doing its job.

The walls of the homes in the compound still stood, but the roofs were destroyed and the rooms ravaged. I paused. The reception room where I had spent uncounted hours over the years looked unnervingly small now filled with rubble. Nature was already restoring its primacy. But for Gharbi, no sentimentality. He had returned before, both to this home and to this place and to this time. In his 62 years this was the fourth time he was forced from his home. He is a Sinjari Yezidi of northern Iraq.


I returned to the Sinjar (Shingal regionally) to photograph some of the shrines destroyed by Daesh, the shrines that I had photographed over the preceding years. It seemed important to me, and I hoped important to the Yezidis and others concerned with such matters. Correctly the world was horrified at the souless and savage killing of Yezidis, the kidnapping of women and children, the tsunami of refugees. But now, 2-1/2 years later there is some space for this story. 

We recoiled at the enthusiastic destruction of world heritage ruins at Palmyra, Syria and Nimrod, Iraq, and others. But none have yet to recognize the destruction of the Yezidi shrines in Shingal, the centers of community and belief.

The shrines on the north side of Sinjar Mountain remain untouched by Daesh, except for the diminutive Sheikh Romi, whose wobbly spindle of a spire was unique being without the distinctive and iconic flutes. 

Sheikh Romi Shrine - 2012

A collection of Kurdish forces flying different flags united to drive Daesh out before they could destroy the others.
We drove along the road that skirted the gentle apron of the mountain, now green with spring grasses but nearly void of Yezidis at a time it should have been dotted with flocks of sheep.  


Although the north side was militarily resecured, only the most stubborn, strong, or desperate of the infamously strong and stubborn Sinjari Yezidis have returned. The destroyed buildings spoke to the Daesh's manic destruction during its brief occupation and the ensuing fighting. The flat concrete roofs, where not pancaked, draped to the ground like broken wings.


We pulled off the roadway. I recognized the cemetery. I saw the low knoll. I did not see  the Sheikh Romi shrine.  Its absence took my breath away. 

Walking to the place of what was no longer, I remembered stooping low to enter through its arched doorway with Gharbi and his son Faisal. I remembered its musty darkness. 

The hollow of the single room remained, partially filled with unsettled rubble. The niche where the gazelle horn rested was there. Gharbi found the horn, and he held as he had before so I could take a picture, now open to the sky. 

Ruins of the Sheikh Romi Shrine  (April 2016)

 How do you photograph what is not there?

Site where Sheikh Romi shrine once stood.  (April 2016)